Where is woman in black filmed

In , Jane, Dowager Countess of Westmorland bought the estate, leaving it to her younger son who made some alterations including the addition of a staircase block, however, it has remained relatively unchanged since. The spacious formal dining room still features a huge carved fireplace and a banquet-style table, framed by a lavish chandelier. An elegant reading spot Rightmove. A staple for any stately home, the regal library showcases the estate's historic residents with a small portrait gallery.

One regular visitor who must have frequented this room is the poet and playwright John Dryden, who came to Cotterstock Hall to stay with his relatives in the 18th century. Striking original features Rightmove. One of the hall's original features, a carved wooden staircase leads upstairs to the home's seven bedrooms. With a stairwell lined in old tapestries, paintings and antique ornaments, it's a grand sight — though we're not too sure how we'd feel about those creaking floorboards in the night A boudoir fit for royalty Rightmove.

The bedrooms are no less grand than the reception rooms downstairs. The spacious master suite is awash with period luxury, featuring an ensuite bathroom and traditional wood-panelled walls.

Dark antique furniture sits alongside rich red furnishings and large windows that draw in swathes of light. Slumber in style Rightmove. Befitting of their eminent owner, the other six bedrooms are just as stately as the master, with four-poster beds, floral drapes and plush furnishings. Just imagine the regal guests who've slumbered here over the years! No shortage of space Rightmove. One thing's for sure, Cotterstock Hall isn't lacking in floor space, with the property set over a sizeable 8, square feet.

Daily drives Arthur to the station Arthur waits at the station for the train. Layer Marney Tower. Arthur sees the coffin in the room. Osea Island Causeway. Cotterstock Hall. Eel Marsh House. Return to search results. Photos Photos showing this scene. By the conventions of the modern horror film, the woman in black is seen rarely and — with one big exception — from a distance. He wrote Quatermass and The Stone Tape. But he made so many brilliant technical changes for TV, including putting the biggest, most famous scare just before an ad break.

None of this has anything to do with me. The rights were owned by three film technicians, a makeup artist, a costume designer and an assistant director. I never understood [why it never received a DVD release] but there was allegedly trouble between those three technicians and [distributor] Central. In fact, the trail went quiet until the Hammer Films company was revived in and decided to remake The Woman in Black for a new audience.

Obviously as a haunted house film it is very important to get that location right. It had a real vibe about it and it almost looked like it has eyes. I thought it helped create that sense of dread.